Samuel Michael Simon (June 6, 1955 – March 8, 2015) was an American television writer, producer and animal rights activist who co-developed the animated sitcom The Simpsons.
While at Stanford University, Simon worked as a newspaper cartoonist and after graduating became a storyboard artist at Filmation Studios. Simon submitted a spec script for the sitcom Taxi, which was produced, and he later became the series' showrunner. Over the next few years, Simon wrote and produced for Cheers, It's Garry Shandling's Show and other programs, as well as writing the 1991 film The Super.
Simon turned to fields outside television in his later years. He regularly appeared on Howard Stern's radio shows, managed boxer Lamon Brewster and helped guide him to the World Boxing Organization Heavyweight Championship in 2004, and was a regular poker player and six-time in the money finisher at the World Series of Poker. Simon founded the Sam Simon Foundation, which consists of a mobile veterinary clinic that goes into low-income neighborhoods offering free surgeries for cats and dogs several days per week, as well as a program that rescues and trains shelter dogs. He also funded the Sea Shepherd Conservation Society vessel MY Sam Simon. Simon was engaged at the time of his death, having been previously twice married, including to the actress Jennifer Tilly. Following a profile of Simon on 60 Minutes in 2007, CBS writer Daniel Schorn wrote in an online article that Simon was "perhaps the Renaissance man of the baffling, uncertain age we live in."
Simon was diagnosed with terminal colorectal cancer in 2012 and given only three to six months to live. He bequeathed his $100 million estate to various charities that he actively supported during his lifetime.Weisman, Aly. Simpsons creator Sam Simon dies at 59; donated $100 million fortune to charity' Business Inside, March 9, 2015. retrieved March 11, 2015 He died on March 8, 2015.
Simon attended Beverly Hills High School, where he was on the football team and served as a cartoonist for the school newspaper. He was named "Most Humorous" and "Most Talented" in his senior yearbook. He later attended Stanford University, graduating in 1977. Simon had not wished to attend college, but Stanford persuaded him to apply due to his sufficient grades and proficiency at football; Simon quit the football team after one day. Simon drew comics for The Stanford Daily, The Stanford Daily, Volume 164, Issue 44, 17 November 1973 to Volume 170S, Issue 5, 19 November 1976 a college newspaper, but was denied admission to a drawing class for not being talented enough. As he recalled to the Stanford alumni magazine, he was told, "You'd be taking the space of a student who has talent." Simon majored in psychology, but did not focus on his academics.
Simon has been credited with "developing the sensibility." Former Simpsons director Brad Bird has described him as "the unsung hero" of the show,Ortved, p. 59. while Vitti has stated to "leave out Sam Simon" is to tell "the managed version" of The Simpsons history, because "he was the guy we wrote for." Writer Ken Levine called Simon "the real creative force behind The Simpsons ... The tone, the storytelling, the level of humor—that was all developed on Sam's watch." Levine says that Simon "brought a level of honesty to the characters" and made them "three-dimensional," adding that his "comedy is all about character, not just a string of gags. In The Simpsons, the characters are motivated by their emotions and their foibles. 'What are they thinking?'—that is Sam's contribution. The stories come from the characters." Simon crafted much of the world of Springfield, and designed the models for many of the show's recurring characters, including Mr. Burns, Dr. Hibbert, Chief Wiggum and Eddie and Lou,Ortved, pp. 58–60 as well as many of the one-time and guest-star roles, such as Bleeding Gums Murphy. One of his contributions to the show's character development was his proposal that Waylon Smithers should be gay, but that this should never have too much attention drawn to it; Smithers' sexuality became one of the show's longest-running gags. Simon saw The Simpsons as a chance to solve "what he didn't like about the Saturday-morning cartoon shows he worked on ... he wanted all the actors in a room together, not reading their lines separated from each other. The Simpsons would have been a great radio show. If you just listen to the sound track, it works."
The Simpsons utilized a process of collaborative script re-writing by the show's whole writing staff; this meant the credited writer may not have been responsible for the majority of an episode's content. Nevertheless, Simon was credited with co-writing the season one episodes "The Telltale Head," "The Crepes of Wrath," and the season finale "Some Enchanted Evening." "Some Enchanted Evening" was intended to be the show's premiere but was delayed due to substandard animation. Simon adapted Edgar Allan Poe's "The Raven" for the third segment of the season two episode "Treehouse of Horror." Groening was nervous about "The Raven" because it did not have many gags, and felt it would be "the worst, most pretentious thing they ever done" on the show. Nevertheless, the segment has often been praised as one of the best Treehouse of Horror stories in the show's history. Ryan J. Budke of TV Squad described the segment as "one of the most refined Simpsons pop references ever," and knows "people that consider this the point that they realized The Simpsons could be both highly hilarious and highly intelligent." Simon co-wrote the episode "Two Cars in Every Garage and Three Eyes on Every Fish" with Swartzwelder, an episode which Tom Shales of The Washington Post has described as "a bull's-eye political satire". The final episode he co-wrote for season two was "The Way We Was," alongside Jean and Reiss. While Reiss and Jean took over as showrunners, Simon remained on the writing staff for seasons three (1991–1992) and four (1992–1993). For the third season he co-wrote "Treehouse of Horror II," and conceived the story for the Sideshow Bob episode "Black Widower," together with mystery author Thomas Chastain, hoping to construct a full mystery story; Vitti wrote the episode's teleplay. Simon also substantially contributed to the episode "Stark Raving Dad,"Reiss, Mike. (2003). Easter Egg Commentary for "Stark Raving Dad", in The Simpsons: The Complete Third Season DVD. 20th Century Fox. pitched the episode "Homer at the Bat," and proposed the "Land of Chocolate" sequence from "Burns Verkaufen der Kraftwerk."Jean, Al. (2003). Commentary for "Burns Verkaufen der Kraftwerk", in The Simpsons: The Complete Third Season DVD. 20th Century Fox. Simon's final writing credit was for the "Dial 'Z' For Zombies" segment of "Treehouse of Horror III."
Although they initially worked well together, Simon and Groening's relationship became "very contentious" according to Groening. Simon never expected the show to be a success, often proclaiming to fellow staff members "We're thirteen and out"—meaning that the show would be cancelled after the thirteenth episode of the first season. Therefore, he also told the staff that they had creative freedom to do whatever they wanted to make The Simpsons as good a show as possible, regardless of network or public opinion, because he thought it inevitably would not be renewed; he elaborated in 2009 that "Really I was saying that to take the pressure off of everyone. I was just saying let's just go out and make 13 episodes that are really good and really funny." However, Groening interpreted it as meaning Simon was uncommitted and did not care whether the show was a success or not, as Simon's career would survive, whereas his own would not. In 2001, Groening described Simon as "brilliantly funny and one of the smartest writers I've ever worked with, although unpleasant and mentally unbalanced." According to John Ortved's book , when the show became successful Simon resented the media attention Groening received, particularly the praise for the show's writing; Simon felt that Groening's involvement was limited, and that he should have been the one receiving credit for the show.Ortved, pp. 57–67. Simon later spoke well of Groening's influence, particularly on the show's positive tone.
As well as Groening, Simon was often at odds with Brooks and production company Gracie Films. While working on The Simpsons, he and Brooks had co-created the series Sibs (1991) and Phenom (1993) as part of a multi-series deal for ABC. Simon did not want to work on either series, both of which were poorly received and swiftly canceled, which put a strain on the pair's relationship.
Simon left Gracie Films and The Simpsons in 1993; he commented that he "wasn't enjoying it anymore," wished to pursue other projects, and that of "any show I've ever worked on, it turns me into a monster. I go crazy. I hate myself."Ortved, pp. 146–149. Before leaving, he negotiated a deal that saw him receive a share of the show's profits every year, particularly from home media, and an executive producer credit despite not having worked on the show since 1993. The deal means he made over $10 million a year from The Simpsons; he later told Stanford Magazine that "tens of millions" was a closer figure. Simon commented: "When I was there I thought I was underpaid. I thought I wasn't getting enough credit for it. Now, I think it's completely the opposite. I get too much credit for it. And the money is ridiculous."
In the late 1990s, Simon primarily worked as a director. He directed on the American adaptation of the sitcom Men Behaving Badly in 1996, the Friends season three episode "The One Without the Ski Trip" in 1997, and several episodes of The Norm Show (1999) and The Michael Richards Show (2000). From 1998 to 2003, he served as a consulting producer and director for The Drew Carey Show, and directed the show's series finale. He was also a creative consultant on Bless This House in 1996.
From 1999 to some time in the early 2000s, Simon was President of e-Nexus Studios the once entertainment content arm of ZeniMax Media, Parent Company of video game publisher Bethesda Softworks. After E-Nexus was shut down, Simon became President of the creative group at ZeniMax Productions, another subsidiary of ZeniMax. ZeniMax Productions and its sister division Vir2L Studios jointly created four online games featured on the website for the series .
After leaving The Simpsons and The George Carlin Show, Simon sought to find a "life outside television," as working in the industry "made him crazy." On working in television, Simon concluded: "In some ways, it's the greatest job in the world. You make a product that's given away, and all it does is make people smile. Nobody gets hurt, there's no damage, and you can get crazy rich." Simon retired from full-time television work, although still worked in the media, frequently contributing, as a writer and a participant, to Howard Stern's radio shows. He wrote and directed the one-off radio sitcom "The Bitter Half" for Stern's Howard 101 in 2006. Simon had his own show on Radioio. Simon returned to television production work in 2012, serving as a consultant and director on the series Anger Management for half a day a week.
As Simon explained, the foundation aims to "rescue dogs" and "train them to be service dogs, to people with disabilities," primarily the deaf. It also provides free veterinary surgeries to pets belonging to low-income families, and trains dogs to help soldiers returning from combat in Iraq and Afghanistan deal with post-traumatic stress disorder. Simon said the money he used was "well spent just for the pleasure it gives me." The training program has a 20% success rate, because many of the rescued dogs "have physical and psychological problems" but the dogs who cannot be trained are put up for adoption. The foundation is non-profit, and does not accept public donations. In 2011, Simon established and self-funded a second non-profit called The Sam Simon Foundation: Feeding Families. This is a food truck which delivers vegan food to about 200 low-income families each week. He also donated an undisclosed sum to the Sea Shepherd Conservation Society in 2012 for the purpose of purchasing another vessel for their fleet, the , which was unveiled in December 2012. Simon was also a board member for Save the Children, and hosted the largest annual fundraiser for PETA, who named him an Honorary Director and their Norfolk, Virginia headquarters building after him." Sam Simon Remembered for Career, Philanthropic Achievements," Variety, March 9, 2015. Simon has stated that animal rights charities have been his main target for donations, over other causes like human disease and environmental damage, because "your money can bring success" with visible results. Simon stated in 2011 that there is "nothing which more pleasure than" helping others via his charities, and gave away most of his fortune.
Additionally, Simon won a Peabody Award for The Simpsons in 1996.
Simon became a vegetarian at the age of 19 and when joining People for the Ethical Treatment of Animals around 2000, he turned to veganism. He had three dogs.
He lived in Pacific Palisades, Los Angeles, in the restored Bailey House, designed by Richard Neutra. After his home was destroyed by a fire in 2007, Simon redesigned it to be environmentally friendly; much of the interior is constructed from recycled materials, while solar panels provide virtually its entire power needs. The building has a Leadership in Energy and Environmental Design Gold certificate. He had an extensive art collection; he owned paintings by Thomas Hart Benton, John Singer Sargent and one of the original casts of Auguste Rodin's The Thinker. He also had a sculpture by Robert Graham and works by Alberto Vargas, Gil Elvgren, Ed Ruscha and Richard Estes.
Controversy surrounds the management of his trust as well as the lack of donations to groups that he supported in his lifetime.
The Simpsons episode "Waiting for Duffman" was dedicated to him.
Early life
Career
Early career
The Simpsons
Subsequent media work
Other ventures
Animal rights
Boxing
Poker
Awards
+Awards and nominations
Personal life
Illness and death
Filmography
+ Credits in films and television productions 1979 The New Adventures of Mighty Mouse and Heckle & Jeckle TV series Storyboard artist, writer 1979 Fat Albert and the Cosby Kids TV series Storyboard artist, writer 1981 Best of the West TV series Writer 1982 Barney Miller TV series Writer 1981–1983 Taxi TV series Executive story editor, showrunner, producer, writer 1982–1985 Cheers TV series Producer, writer 1984 Shaping Up TV series Creator, executive producer, writer 1987–1988 It's Garry Shandling's Show TV series Creative consultant, writer 1987–1989 The Tracey Ullman Show TV series Executive producer, writer 1989–1993 The Simpsons TV series Character designer, creative supervisor, developer, executive producer, showrunner, writer Left in 1993, but still receives an executive producer credit on later episodes, even after his death in 2015. 1991 Sibs TV series Creator, writer 1991 The Super Feature film Writer 1993 Phenom TV series Creator, writer 1994–1995 The George Carlin Show TV series Co-creator, director, executive producer, showrunner, writer 1996 Men Behaving Badly TV series Director 1996 Bless This House TV series Creative consultant 1997 Friends TV series Director 1998–2003 The Drew Carey Show TV series Consulting producer, director, writer 1999 The Norm Show TV series Director 2000 The Michael Richards Show TV series Director 2000 American Adventure TV film Executive producer 2001 Rock & Roll Back to School Special TV film Consulting producer, writer 2001 House of Cards TV film Executive producer, writer 2009 Sam's Game Reality TV series Creator, executive producer, host 2012 Anger Management TV series Consultant, director
External links
|
|